Overall Favorite Books of 2016
11.
THE GUTSY GIRL
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In 1885, a young woman sent the editor of her
hometown newspaper a brilliant
response to a letter by a patronizing
chauvinist, which the paper had published under the title “What Girls Are Good
For.” The woman, known today as Nellie Bly, so impressed the editor that she
was hired at the paper and went on to become a trailblazing journalist, circumnavigating
the globe in 75 days with only a duffle bag and risking her
life to write a
seminal exposé of asylum abuse,
which forever changed legal protections for the mentally ill. But Bly’s courage
says as much about her triumphant character as it does about the tragedies of
her culture — she is celebrated as a hero in large part because she defied and
transcended the limiting gender norms of the Victorian era, which reserved
courageous and adventurous feats for men, while raising women to be diffident,
perfect, and perfectly pretty instead.
Writer Caroline Paul, one of the
first women on San Francisco’s firefighting force and an experimental plane
pilot, believes that not much has changed in the century since —
that beneath the surface progress, our culture still nurses girls on “the
insidious language of fear” and boys on that of bravery and resilience. She
offers an intelligent and imaginative antidote in The
Gutsy Girl: Escapades for Your Life of Epic Adventure (public
library) — part memoir, part manifesto, part
aspirational workbook, aimed at tween girls but speaking to the ageless,
ungendered spirit of adventure in all of us, exploring what it means to be
brave, to persevere, to break the tyranny of perfection, and to laugh at
oneself while setting out to do the seemingly impossible.
Illustrated by Paul’s partner (and my frequent
collaborator), artist and graphic journalist Wendy
MacNaughton, the book features sidebar celebrations of
diverse “girl heroes” of nearly every imaginable background, ranging from
famous pioneers like Nellie Bly and astronaut Mae Jemison to little-known
adventurers like canopy-climbing botanist Marie Antoine, prodigy rock-climber
Ashima Shiraishi, and barnstorming pilot and parachutist Bessie “Queen Bess” Coleman.
A masterful memoirist who has previously written about what
a lost cat taught her about finding human love and what
it’s like to be a twin, Paul structures each
chapter as a thrilling micro-memoir of a particular adventure from her own life
— building a milk carton pirate ship as a teenager and sinking it triumphantly
into the rapids, mastering a challenging type of paragliding as a young woman,
climbing and nearly dying on the formidable mount Denali as an adult.
et me make one thing clear: Throughout the
book, Paul does a remarkably thoughtful job of pointing out the line between
adventurousness and recklessness. Her brushes with disaster, rather than
lionizing heedlessness, are the book’s greatest gift precisely because they
decondition the notion that an adventure is the same thing as an achievement —
that one must be perfect and error-proof in every way in order to live a daring
and courageous life. Instead, by chronicling her many missteps along the
running starts of her leaps, she assures the young reader over and over that
owning up to mistakes isn’t an attrition of one’s courage but an essential building
block of it. After all, the fear of humiliation is perhaps what undergirds all
fear, and in our culture of stubborn
self-righteousness, there are few things we resist more
staunchly, to the detriment of our own growth, than looking foolish for being
wrong. The courageous, Paul reminds us, trip and fall, often in public, but get
right back up and leap again.
Indeed, the book is a lived and living
testament to psychologist Carol Dweck’s seminal
work on the “fixed” vs. “growth” mindsets —
life-tested evidence that courage is the fruit not of perfection but of
doggedness in the face of fallibility, fertilized by the choice (and it is a
choice, Paul reminds us over and over) to get up and dust yourself off each
time.
But Paul wasn’t always an adventurer. She
reflects:
I had been a shy and fearful kid. Many
things had scared me. Bigger kids. Second grade. The elderly woman across the
street. Being called on in class. The book Where the Wild Things Are.
Woods at dusk. The way the bones in my hand crisscrossed.
Being
scared was a terrible feeling, like sinking in quicksand. My stomach would
drop, my feet would feel heavy, my head would prickle. Fear was an all-body
experience. For a shy kid like me it was overwhelming.
Let me pause here to note that Caroline Paul
is one of the most extraordinary human beings I know — a modern-day Amazon,
Shackleton, Amelia Earhart, and Hedy Lamarr rolled into one — and since she is
also a brilliant writer, the self-deprecating humor permeating the book serves
a deliberate purpose: to assure us that no one is born a modern-day Amazon,
Shackleton, Amelia Earhart, and Hedy Lamarr rolled into one, but the determined
can become it by taking on challenges, conceding the possibility of
imperfection and embarrassment, and seeing those outcomes as part of the
adventure rather than as failure at achievement.
That’s exactly what Paul does in the
adventures she chronicles. It’s time, after all, to replace that woeful Victorian
map of woman’s heart with a modern map of the gutsy girl
spirit.
BRAIN PICKINGS
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