From Asia, with a Twist
Asian dining -Korean,
Japanese, Vietnamese, Burmese -is not only trending but getting democratised as
restaurants across the board crack the genre
The year of the Fire Monkey
is supposed to be lucky for dabbling in showbiz or glamour. Or even just travel
and adven ture or simply enterprise. And one of the foods you could consume
-should you want to add that dash of spice to your life, just now -are long,
uncut noodles.
At the newly refurbished
Pan Asian, ITC Maratha in Mumbai, it is impossible to take your eyes off chef
Wang Peng. He pats the dough, dusts it, rolls it and then stretches it out with
both hands. As the long wool-like strands of noodles get formed, you begin to
wonder `when is he going to cut them?' Only, he doesn't. Like a deft juggler,
whose trick are unapparent to the eye, he pulls and flips, somehow holding it
all together by a knot, pulling out new noodles simultaneously.It can't be described.
It's a hard-earned skill you need to see.
When the “show“ finishes,
the noodles are carefully laid to rest. They'll be boiled later and served up
for dinner. But food aside, this spectacular kitchen theatre fits in, wittingly
or not, with a larger brand plan of the restaurant to “modernise“ -serve up
familiar flavours of Asia with elan, or at least a twist.
Hand-pulled noodles aside,
there's sea bass on a bed of stir fry, dumplings and sushi prettily plated and
inventive trendy cock tails (we sip on a Negroni, done with an Asian twist and
Mon key Shoulder whisky). The image of the Oriental res taurant is being kept
at bay. Even if the fla vours within are “com fort“.
This is exactly the formu
la driving one of the most suc cessful restaurateuring concepts across the
country. Asian dining -in cluding bits of Korean, Japanese, Vietnamese,
Burmese, Chinese and Thai -is not only trending but getting democratised as
restaurants across board crack the genre. If Indian-Chinese ruled the roost
till around the 1990s -from van Chinese to the House of Ming. We saw the
unlikely penchant for Japanese define fashionable eating out in the early 2000s
for a decade (from Wasabi to kitty party sushi). It is now an “aspirational
Asian“ revolution as the bold flavours of the East get repackaged.
When Chilli Chicken is Not
Enough
“Chinese is out, pan-Asian
is in,“ says restaurateur Ashish Kapur, whose brand Yo! China, launched in
2003, redefined the home-grown quick service restaurant (QSR) segment. Aspiring
to be a sort of Indian-Chinese “McDonald's“, Yo! China had taken desi Chinese
that middle-class Indians ate in red-lanterned restaurants (with dirge-like
music) to a younger, mass populace.
Now, Kapur intends to do
the same with Asian food. His new brand, The Bento Café, is to come up this
month at a mall in Noida. The premise is simple: primarily Asian street food
-Singapore curry puffs, Japanese yakitori , nasi goreng -served up in smart
packaging at attractive prices. Kapur is rolling out five outlets “to begin with...
to grow exponentially later“, he says.
That Asian (not “Sichuan“
Chinese) is now trending, even at a relatively mass level, is fairly evident.
At the Asian Hawkers Market at Select Citywalk, Delhi, a few months ago, kiosks
selling the likes of Mochi ice-cream and takoyaki did brisk business. Something
we wouldn't have imagined even two years ago.
These observations are
substantiated by Kapur's consumer survey. “There have been three major shifts
we found,“ he says. The first is a shift in what Kapur calls the “hero“
products. “Instead of hakka noodles, fried rice or chilli chicken, the new
heroes are “pad thai, nasi goreng...even stir-fried morning glory“. The younger
audience is clearly not just more aware of different flavours thanks to
exposure through travel but also more “aspirational“. Then there are shifts in
terms of smarter packaging being a requisite and also engagement with diners,
including by chefs who are getting more interactive and gathering large
followings.
Aspiration is driving
choices. Instead of the comfort of sweet corn soup, the average diner want “to
learn something new“, Kapur says. This is easy in the vast repertoire of
panAsian dining. That many of these flavours are bolder helps to keep things
more “authentic“, even though there are huge caveats too (“veg“ pad thai and
som tum are only the two most common examples, given the Indian aversion to
fish sauce). At The Bento Café, the menu is impressive to read. There are
dishes such as pan-fried duck, Malaysian black pepper crab, Japanese udon
noodles... all in the range of `200 per dish (and under `350 for specials like
the crab) in a mall.
To India via New York
In Mumbai, startups such as
the Bao Haus -a south Mumbai takeaway and delivery opened by a young
chef-entreprenuer -are taking similar chic Asian flavours to young customers
perhaps wanting to recreate their Soho experience in Colaba. “Baos are in
fashion,“ points out Saransh Goila, the TV chef, who also leads the
quintessential work hardparty hard Mumbai single's life.
The soft Chinese buns, of
course, became fashionable, courtesy Momofuku's David Chang before they made
their way to London and other dining capitals of the world, typically used to
sandwich pork belly. For uppermiddle-class Indians, many of who have worked or
studied abroad, exposure to this pop dining culture inevitably means the quest
to finding or recreating it at home. The bao, in its turn, made an appearance
perhaps for the first time as a pop dish in an Indian restaurant at The Fatty
Bao in Bengaluru about two years ago. Since then, the trend for it as a bar
snack in particular has only picked up.
Not all of traditional or
clas sic Chinese and Japanese or Asian dishes may sell in India.But dim sum and
sushi are big and form a chunk of the menu at most modern Asian diners --along
with an increasing appearance of the likes of tuna pizzas and pork belly tacos,
the two other dishes set to go pop in our opinion. It's interesting that all
these “modern Asian dishes“ have come to us not via Asia at all, but via New York,
where many of these experiments at “fusion“ originated thanks to the great
American melting pot.
Despite the overwhelming
popularity of sushi in our midst, for instance, (including vegetarian sushi),
it is a known fact that what Indian diners really like is the flavour of rice
and soy over raw fish. Californianstyle rolls have got so popular in New Delhi
and Mumbai precisely because of this -bunging in everything from wasabi-mayo to
batter-fried crab -drowning out “fish“. And now, the newer takes on sushi being
concocted in our midst, including a “sushi burger“ at PaPaYa, one of the
trendiest new Asian diners in Mumbai, work on this same principle.
Dumplings are another of
those Asian staples now gone pop. Unsurprisingly, the ones trending the most
just now are again versions that first appeared in other dining capitals of the
world.
Yauatcha in Mumbai and
Delhi may be particularly popular with its women-wholunch crowd. But its
success has given rise to imitators “democratising“ its best-known dishes. Loco
Chino, a QSR chain in Mumbai, now offers the likes of truffle-edamame dumplings
for a fraction of the price.
If some of these flavours,
especially the bolder ones, have a natural affinity with the Indian palate,
savvy chefs and restaurateurs are experimenting with others to fit local
palates. At The Fatty Bao, Bengaluru, Delhi and Mumbai, one of the star dishes
on the menu is the oysters. It is a smart dish -combining chorizo, butter and
panko for crispness along with the oysters. An average Indian diner who may
have balked at shucking raw oysters is enticed with the full flavours that mask
the natural sea-and-salt. In a way, it is reminiscent of the way we love the
butter-garlic crabs at Trishna! Aspirational, yet comfort.
The Wasabi School Spin-offs
On the other hand, audience
tastes are decidedly changing. You can see evidence of this in all segments.
Even a traditional midmarket chain like Mainland China now has an “Asian“ page
on its regular Indian-Chinese menu --across the country. “The taste preferences
of people in smaller towns is different,“ agrees Speciality Restaurants' Anjan
Chatterjee, but “still, they want to try new things“. Dishes like Vietnamese
rolls, Korean grills and Thai curries are thus par for the course. In the
metros, the Main land China Asia Kitchen, a new brand, is expanding, with some
of the original Chinese outlets being converted to what Chatterjee calls the
“Asian bistro“ for mat (but which will still keeps to the “DNA of the parent
brand“).
At the highest end, there
is some credible experimenting in the genre that people have accepted. Leading
it is Tian's chef Vikramjit Roy, who may feed you an Asian lamb “lasagne“ one
day or an aerated Thai green curry the next or in deed Singapore-style crabs
with edible beach soil and more. Roy, who worked and researched in Korea and
Japan extensively, combines his understanding of flavours with modern cooking
techniques including (but not always) gastronomy to come up with dishes that
may be inspired by “Asian“ but are hardly restricted to one region.
This is also the kind of
food other upscale standalones are now successfully dishing out.Much of this
food is riding on the bar wave, with experimental drinks in tow. What's
interesting is that the chefs driving this trend are from what I call the
“Wasabi school“.
Wasabi at the Taj in Mumbai
and Delhi has been a super brand that not only ushered in a change in dining
culture that is well recognised, but also prepared a line of chefs confident in
their knowledge of Japanese with all its allied influences, and modern cooking
techniques.
While contemporary Japanese
within upscale restaurants may no longer be a great business idea, it is the
“Wasabi culture“ that has been indirectly responsible for the sprouting up of
upscale modern Asian diners -most of which ironically continue to have that
Morimoto classic Black Cod Miso.It is one of those dishes that middle-class
customers still seek out at the standalones (at a fraction of the price) as
also the steaks, carpaccio, and sushi rolls deemed “exclusive“ till a few years
ago.
Interestingly, Roy, his
deputy Kaustubh Haldipur and Sahil Singh of PaPaYa (who was also Roy's deputy)
have all been part of the same team that Roy lead at Wasabi in Delhi and then
ITC Hotels. For chefs like them and others in the upscale standalone segment
dabbling in experimental Asian, the challenge is building local supply chains
to keep costs down and restaurants profitable. Japanese restaurants have
typically worked at 4050% food costs, inordinately high in a business where premium
restaurants work at 30% and others at even 10%. But for customers, now getting
even the likes of the black cod at around the `1,000 per portion mark, the
Asian boom is a win-win.
Anoothi Vishal
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ETM14FEB16
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