Keeping alive the Chola flame
Walking around Thanjavur doesn’t make you feel you are in a place whose raison d’etre came into being a thousand years ago. The town first gained prominence when it became the Chola capital in the 9th century. But work on the temple that would eventually become its icon began only in 1003. More than a millennium later, the temple is still the heart and soul of the place.
The Brihadisvara, or the ‘Big
Temple’ as some folks affectionately call it, is dedicated to Shiva. Its story
is best told via the hundred-plus inscriptions found around the massive temple
complex, which chronicle not just the dynasties that built or endowed it with
immense wealth but the various economic and cultural activities that it has
driven over centuries.
Construction of the temple by its
patron Rajaraja Chola was a mammoth project, employing thousands of people.
Once ready, the temple had a vast staff comprising priests, cooks,
flowergatherers, garland makers, musicians, dancers, sculptors, painters,
woodcutters, record-keepers and guards. And as the meticulously kept Chola
records show, many of these people were given land grants. Which implies that
many of their descendants would still be around, possibly continuing their
traditional occupations.
The Brihadisvara is a stunning
repository of Chola grandeur – its sheer scale and size awe a visitor, the
delicate lines of its sculptures make the figures seem lifelike, the paintings
along the pillared corridors on all sides of the main temple bring mythology
alive.
The structure is not just a
historical place, but is a living temple. Its traditions, art and architecture
prove to be an irresistible magnet for both the faithful and the curious and
visitors always fill the temple town, peaking during festive occasions.
Spread over nearly 3 hectares of
land, the temple takes hours to explore. A visitor who spends time at the
temple would find himself rewarded by observing the changing moods of the
place. From elderly people to mothers with new-borns, from school children to
selfie-seekers, different times of the day bring in varied sets of visitors. As
the shadow of the temple’s mammoth upper portions changes with the sun,
different parts of the complex look aglow.
Outside, the flower-sellers,
garlandthreaders and toymakers ply a brisk trade. Further in town, veena makers
are hard at work, continuing traditions alive since Rajaraja’s days. There is
also a Nayaka palace in town, but it draws few visitors in comparison to the
temple. After all, rulers are transitionary. Unless of course, like Rajaraja,
they have a big temple to give them a degree of immortality.
Arjun.Kumar2@timesgroup.com
ETTR 22FEB18
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