6. THE VIEW FROM THE CHEAP SEATS
Neil Gaiman is one of the most beloved storytellers of our time, unequaled at his singular brand of darkly delightful fantasy. His long-awaited nonfiction collection The View from the Cheap Seats celebrates a different side of Gaiman. Here stands a writer of firm conviction and porous curiosity, an idealist amid our morass of cynicism who, in revealing who he is, reveals who we are and who we can be if we only tried a little bit harder to wrest more goodness out of our imperfect humanity. An evangelist for the righteous without a shred of our culture’s pathological self-righteousness, Gaiman jolts us out of our collective amnesia and reminds us again and again what matters: ideas over ideologies, public libraries, the integrity of children’s inner lives, the stories we choose to tell of why the world is the way it is, the moral obligation to imagine better stories — and, oh, the sheer fun of it all.
mong the many gems in the collection, which include Gaiman’s meditations on why we read and the power of cautionary questions, is a particularly timely short piece titled “Credo,” in which Gaiman writes:
I believe that it is difficult to kill an idea because ideas are invisible and contagious, and they move fast.
I believe that you can set your own ideas against ideas you dislike. That you should be free to argue, explain, clarify, debate, offend, insult, rage, mock, sing, dramatize, and deny.
I do not believe that burning, murdering, exploding people, smashing their heads with rocks (to let the bad ideas out), drowning them or even defeating them will work to contain ideas you do not like. Ideas spring up where you do not expect them, like weeds, and are as difficult to control.
I believe that repressing ideas spreads ideas.